Pose

horse rears in bold, angular strokes of violet, grey, and crimson, its whole body captured mid-motion against a warm terracotta ground. The linework here is loose and confident, more gesture than anatomy—each leg, each curve of the neck, drawn with the urgency of movement itself rather than careful likeness. Nothing about this animal is static; even standing still, it would seem to be straining against the frame. There’s a rawness to how the horse holds its stance, weight shifted, head turned sharp caught in that split second before motion fully resolves into action. Pose captures not stillness but readiness: the tension held in a body about to move, power visible even before it’s spent.